Video Streaming Redefines Entertainment

Video Streaming Redefines Entertainment

Popping out of its linear TV shadow, the OTT area in India has come a great distance in a really brief span of time. It’s now not a mere platform for catch-up exhibits or mini web-series, however has redefined leisure like by no means earlier than. The yr 2018 had been fairly particular for the video streaming platforms

With smartphones turning into ubiquitous and an integral a part of our lives, leisure too has undergone an enormous change in in the present day’s digital age, because of the excessive (OTT) platforms resembling Netflix, Amazon Prime Video, Hotstar, SonyLiv and Eros Now, piggybacking on our telecom/ web carriers. The current reputation of ‘Sacred Video games’, ‘Ghoul’, ‘Mirzapur’ and many others. speaks quantity about video-streaming platforms turning into our ultimate companion whereas travelling or earlier than going to mattress. The pattern is catching up in such a manner that individuals’s preferences are shifting from massive screens to smartphones, and that too as per ones temper and comfort, in contrast to televisions and celluloid the place one has to attend for a selected present to start out.

Rising out of its linear TV shadow, the OTT panorama is in actual fact getting its personal band of subscribers in India. It’s now not a mere platform for catch-up exhibits or mini web-series. These platforms, which give video content material over the Web, are developing with compelling authentic content material that’s discovering nice traction with viewers. In line with a Frost & Sullivan research launched final yr, the OTT video market in India is starting to see actual traction with extra opponents and new modern platforms on the again of cheaper knowledge bundles. With 180.three million lively on-line video viewers and nearly four million registered subscribers (till June final yr), the OTT video providers market earned over Rs 37 billion in 2017, and is predicted to develop at a CAGR of 17.three per cent over the subsequent 5 years, the research mentioned.

The OTT video market in India is regularly turning into a mainstream leisure vacation spot with the fast rise within the web person base and low-cost good units which at the moment are simply accessible throughout the globe. Content material genres like leisure, sports activities, and regional are rising as the important thing focus areas for the OTT platforms. Most of those gamers are at early phases of their maturity and are specializing in fast shopper aggregation and driving engagement.


Though SonyLiv and Hotstar have been already within the enterprise of stay streaming of sporting occasions, it was in 2017 when the OTT platforms made their presence felt within the Indian market with exhibits like ‘Inside Edge’ starring Vivek Oberoi and Richa Chadha and a few the then current Hollywood and Bollywood hits on Amazon Prime Video. Apparently, 2018 witnessed enlargement of a sturdy roster of content material—the yr turned out to be one in all massive wonders on the small display, as 32 video streaming platforms got here into image. Whether or not it’s Amazon, Netflix, Hotstar, Voot, Zee5, Eros Now, Viu, SonyLiv or ALTBalaji, the rising variety of cellular functions has proved to be a boon for all- the viewers, operators and the creators.

In line with Sunil Lulla, Group CEO, Balaji Telefilms, the agency behind ALTBalaji; the audiences in the present day have grow to be extra accepting to new ideas. This has led to main OTT gamers now closely investing in unique authentic content material throughout languages on the platforms. Lulla additional believes that 2018 had been an absolute game-changer with regard to the altering notion of digital audiences. Experiences say the expansion in cellular broadband velocity and 4G providers by Reliance Jio noticed a fast improve in knowledge consumption throughout the nation out of which video streaming accounts for 70 per cent of the full knowledge consumption on cellular.

Equally, Shilpa Taneja, Senior Supervisor (Technique and Operations) at Deloitte India is of the opinion that the rising penetration of smartphones and roll-out of 4G within the final couple of years has broadly promoted the general digital entry and consumption throughout the nation. This has led to an rising demand for premium digital content material and throughout classes resembling motion pictures, music, stay sports activities. This elevated consumption, as per Taneja, has come on two fronts – extra variety of individuals viewing content material over OTT apps and folks spending, on common, higher period of time on digital media.

As per a current report by The Boston Consulting Group, titled ‘Leisure Goes On-line’, the OTT content material market in India is at an inflection level now. The report pegs the Indian OTT market to succeed in $5bn in dimension by 2023. This progress is being pushed by rising affluence, improve in penetration of information into rural markets and adoption throughout demographic segments together with girls and older generations. The report relies on a primary -of-its-kind shopper survey that seeks to grasp shoppers’ motivations in adopting OTT content material over different typical modes of content material supply. The survey outcomes confirmed that there’s a room for a lot of kinds of OTT fashions resembling SVOD (subscription-based platforms), AVOD (advertising-based platforms) and TVOD (transaction-based platforms) to succeed out there.

Kanchan Samtani, Accomplice and Director, BCG, mentioned, “Majority of India has a single TV per family. Inexpensive knowledge has created an alternate medium the place shoppers, for the primary time, can faucet into content material foundation particular person choice at a time and area handy for them. While the present market operates with a largely promoting paid content material paradigm, shoppers aren’t averse to paying for handy content material entry that OTT unlocks.” Affluence and vast number of content material being developed for OTT market together with variety in genres and language provides OTT market a beneficial edge over its conventional counterparts.

jio tv

The BCG research recognized three archetypes of consumers within the Indian market, 1) traditionalists – who primarily devour on aside from OTT platforms, 2) OTT Experimenter – who has vital consumption on each typical and OTT platforms three) Early Adopter – whose major consumption happens on OTT platforms. Whereas early adopters are nonetheless a extra city phenomenon, going ahead it is going to be extra equally distributed. 48% of India’s web customers (~650 million by 2023) are anticipated to be from rural areas. With improvement of regional content material by numerous gamers, the agricultural market is poised to grow to be a considerably giant alternative for gamers. OTT is driving the wave of elevated knowledge consumption and web entry in rural India, has opened a brand new distribution channel that’s viable for regional and area of interest content material.

Indian content material together with music, Bollywood content material and cricket have giant following within the Indian diaspora additionally. OTT gamers with Indian content material have potential to faucet into this market too. “Whereas the NRI content material market is big and demonstrates willingness to pay, it isn’t solely dominated by cricket – Bollywood music and movies are very vital. With their giant content material libraries, Indian OTT gamers are sitting on a metaphorical gold mine to serve this more and more vital buyer base,” mentioned Gaurav Jindal, Principal, The Boston Consulting Group.

“One of many key insights of our shopper work was that, whereas OTTs depend on top-notch hero content material to draw shoppers to the platform, the stickiness of those shoppers will not be very excessive except accompanied by methods during which they have interaction extra deeply with the platform and is related to robust advertising and marketing efforts,” mentioned Samtani.


If we discuss funding, US-based Netflix and Amazon have infused much more in creating authentic content material in India than their home counterparts. Netflix and Amazon spent about Rs 600 crore and Rs 500 crore respectively for India originals in 2017, whereas gamers like SonyLiv, Eros Now and ALTBalaji collectively invested below Rs 1,000 crore, the BCG research discovered. Netflix’s Sacred Video games and Amazon’s Mirzapur are a number of the India originals that these gamers have spent vital advertising and marketing bucks on.


The report says on-line video streaming apps represent the one phase seeing larger quantities of time being spent by Indians in a day. Most different classes, together with social media and chat, are seeing a downfall. The investments in native originals are anticipated to go up. This has led to homegrown gamers too bringing authentic contents. Star India’s Hotstar too has invested closely in India, however loads of that has gone right into a single stay sporting occasion – the digital rights for IPL for 5 years, the place it’s estimated to have spent Rs four,000 crore. The business sometimes sees multiseason productions of native content material as originals.

Whereas Hotstar and Amazon Prime Video have nearly related subscription expenses, Netflix has positioned itself as a premium participant. Hotstar is alleged to have the best variety of paid subscribers, at about 7 lakh. Apart from Hostar, the opposite content material king that has emerged in India’s OTT market is JioTV, which was put in on over 30% of Indian smartphones, says Kalagato, a Delhi-based market intelligence agency. JioTV, a stay TV app particularly accessible to prospects of Reliance Jio, launched in August 2018, has overwhelmed the likes of Vodafone Play and AirtelTV by providing over 600 free stay TV channels. JioTV has been capable of penetrate a lot of the market as a result of it comes pre-bundled with Jio’s units and SIMs.

JioTV, which is alleged to be an even bigger risk to Hotstar than Amazon and Netflix resulting from its robust distribution community, has been bullish at driving buyer adoption that it truly captures a bigger share in tier three cities, the place smartphone penetration is skinny and community patchy. Following Jio’s accomplishment in reaching far off areas, ErosNow, owned and managed by Eros Digital, the digital media administration arm of Eros Worldwide plc, not too long ago tied up with state-owned BSNL to take its content material to villages.

Balaji Telefilms-owned ALTBalaji, which is legendary amongst Indian housewives resulting from their spectacular library of exhibits that swimsuit their mindset, is placing its finest foot ahead in cashing in on the pattern and constructing a enterprise for the long run. Sony Footage Community-owned SonyLiv, which entered right into a multi-year content material take care of American leisure firm Lionsgate not too long ago, has tapped the heartland of the nation with over 85 web-originals unfold throughout numerous Indian regional languages. It pioneered at addressing the necessity for regional language content material on net by launching India’s first ever Marathi net sequence to cater to the Marathi milieu, early in 2017.

Equally, Viacom18-backed Voot, Zee5 from the Zee Leisure Enterprises, Solar NXT from south Indian language broadcasting energy participant Solar Networks, and Southeast Asian participant Viu are leveraging the pattern with their content material in numerous classes.

Content material is the King Amid shrinking dimension of screens that’s by no means a measure of the dimensions of the leisure, content material has emerged because the undisputed king not simply in a proverbial sense, however even when it comes to what clicked with the viewers. “Because the viewers is turning into more and more various, storytellers have the choice to discover narratives that resonate at a hyper-local degree, but, will be appreciated by a world viewers as effectively,” mentioned Siddhartha Roy, COO, Hungama Digital, in a current report.

The success of Sacred Video games, Ghoul, Breathe, Mirzapur, Choice Day, Lust Tales and Love Per Sq. Foot – to call a couple of – in current occasions exhibits how audiences in the present day have the liking for brand spanking new ideas. In line with Manish Aggarwal, Enterprise Head, Zee5 India, the digital viewers in the present day are in search of contemporary, edgy, relatable and interesting content material, which is altering the panorama of the content material being produced.


The rise of regional content material gratifying a bit of viewers can be a living proof. Hyper-local gamers resembling ALTBalaji and Hoichoi have been aggressively engaged on comparatively modest budgets in comparison with the massive OTT gamers. ALTBalaji has about three.three million subscribers and a roster of round 30 originals other than a whole lot of hours of acquired content material, whereas Hoichoi at the moment has 1400 hours of content material which incorporates 500 plus Bengali motion pictures, 1,000 plus songs, 22 authentic exhibits, six authentic movies and 20 shorts. Specialists consider the hyper-local and regional content material with a new-age storyline holds an important potential that can assist create a platform for manufacturers to create and combine distinctive ideas and affect viewers.


Whereas the digital medium has opened doorways in the direction of inventive freedom and eradicated the gate-keepers, the clamour for censorship from totally different quarters together with the federal government has scared the video-streaming gamers. They worry it’ll hamper their enterprise badly. Therefore, in a bid to forestall potential authorities censorship, main On-line Curated Content material Suppliers together with Netflix, Hotstar, Voot, Arre, SonyLiv and ALT Balaji have come along with a self-regulatory code to manage video streaming content material. Whereas this code will allow the suppliers to self regulate and provides viewers an possibility for redressal, it’ll additionally be certain that the inventive freedom is protected and out of doors regulation is prevented. The suppliers can even classify their content material into separate and distinct classes in response to the age teams. The code establishes guiding ideas for the OTT gamers to conduct themselves in a accountable and clear method and on the similar time ensures that shopper pursuits are protected.

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